My Third Novel's Conclusion, My Heartbreak

My heart begins to break when I think about completing this particular book -- because this narrative has sustained me like no other story I've known. It's both more personal and more universal than my other works. But beyond memory and archetype, it's a cri-de-coeur about needing to become the person one is destined to be. And in the writing, I have met my own life's work, my own fated journey -- having the sense all the while that the pages are suffused with a resonance, an energy, an electrified field that defies explanation. Writers hope and pray to be overtaken by a work in this way -- to be conscripted into passionate service of a profound story. To experience it even once in a lifetime seems a great privilege. I still have several months before this novel is complete, and this constitutes my reprieve. Because I'm not ready for the beauty to end.

Wednesday, January 17, 2018

The Music of Film



My favorite film composers are Thomas Newman and James Newton Howard, alongside my friend Keith Power, whom I wrote about under Visions in Cinema.  My picks from among their compositions seem exquisitely oblique, resonantly expectant.  They are somehow conscious of the evanescence of life -- the heartbreaking temporality of our days --the inevitable destiny within them -- and the bittersweet knowledge that every experience we have is both a greeting and a farewell.


All of these tracks are available on Spotify.  Enjoy!

  • "Road to Chicago" -- from Road to Perdition by Thomas Newman (available on Spotify under the album, The Essential Thomas Newman.)  I love the sense of freighted expectation within the melodic line.  Time insists on passing by, even though what appears next may change life forever.


  • "That's the Deal" -- from the Green Mile by Thomas Newman.  Catch the segment from :47 to 1:07.  There's an exquisite tension within this progression -- just the right level of discord and resolution.


  • "Weehawken Ferry" -- from Cinderella Man by Thomas Newman.  Listen to how fantastically fated the strings segments sound here.


  • "The Wreck" -- from Unbreakable by James Newton Howard.  Such fateful resonance within this piece.  The hidden man is going to find his place in the world -- and we are assured of that by the sense of emergent and requisite identity within this work.

7 comments:

  1. Beautiful, all of them!

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  2. I love these selections. They stay with you.

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    1. Happy to hear that, Ann. I know what you mean -- the string sections are so memorable in these pieces. I'm lucky to have a family member who plays virtuoso cello, so I get to hear these lovely tones in live performance frequently!

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  3. I agree these pieces are great. Newman has scored many first rate films.

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  4. Yes -- American Beauty, Skyfall, Revolutionary Road, Bridge of Spies -- the list goes on and on. I'm always thrilled to hear his new work.

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  5. Would you lean toward one of these composers for the feature film you're working on?

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