My Third Novel's Conclusion, My Heartbreak

My heart begins to break when I think about completing this particular book -- because this narrative has sustained me like no other story I've known. It's both more personal and more universal than my other works. But beyond memory and archetype, it's a cri-de-coeur about needing to become the person one is destined to be. And in the writing, I have met my own life's work, my own fated journey -- having the sense all the while that the pages are suffused with a resonance, an energy, an electrified field that defies explanation. Writers hope and pray to be overtaken by a work in this way -- to be conscripted into passionate service of a profound story. To experience it even once in a lifetime seems a great privilege. I still have perhaps six months before this novel is complete, and this constitutes my reprieve. Because I'm not ready for the beauty to end.

Wednesday, February 23, 2011

The Icon in the Garden

In seeing this work from Christy Boyer, Icon finalist, I immediately feel the sense of otherworldly peace pervading Anna de la Senda's garden. From the doves in her arms to the luminous rose, the blue tears of sorrow to the glowing carousel, the painting becomes one of miraculous discovery for me, rich with the secrets of a narrative I once imagined. Jewel-like, faceted, the myriad elements of this work flow together with a stunning confluence and harmony, and I find myself, quite simply, transfixed by this portrait of Anna's bountiful kindness.

Ms. Boyer offers, "I made the painting heavy in redemptive imagery, because that is what I loved most about The Unfastened Heart. This painting went through many changes as I struggled to integrate the rich metaphors of Ms. von Herzen's writing. I enjoyed the entire process immensely."

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